maria_technosux's Journal

2:29pm: It REALLY helps to expose racists online: presenting the consequences!







Damn, I didn't even notice this... but it's true...

Jochen Roller has been kicked off the list of participants at the Abidjan Mouvement Festival page on the Goethe website!!!


Original list of participants, back-upped in one of my LJ entries:

Abidjan Mouvement
Theater, Tanz, Show
24.06.-04.07.2009

Anelka, Gotta Depri, Cornelia Dörr, Hauke Heumann, Nadine Jessen, Lassana Kamagate, Joseph Muganga, Benjamin Nmpeck, Prince Jochen Roller, Shaggy Sharouff, Kouakou Toussaint, Franck Edmond Yao


http://maria-technosux.livejournal.com/61271.html

Current list of participating artists, with Jochen Roller gone-a-gone-a!:

http://www.goethe.de/ins/ci/abi/de4573855v.htm

Abidjan Mouvement
Theater, Tanz, Show
Festival
27.06.-04.07.2009

Anelka Chanel, Gotta Depri, Cornelia Dörr, EDEC, Hauke Heumann, INSAAC, Nadine Jessen, Lassana Kamagate, Les enfants danseurs N'Soleh, Daniel Plresson, Shaggy Sharouff, Kouakou Toussaint, Village Kiyi, Franck Edmond Yao alias Gadoukou la star



Moral of the story: in this day and age of Obama, exposing watermelon-raping racist artists DOES have consequences for the racist artist.

I did this!!!

My online campaign to expose this racist scum-bag worked!

I guess the Ivory Coast government reads the Field Negro blog of something ;-P

THAT OUGHTTA TEACH YOU SHITCAT!!!

The fact that even Goethe Institute is now too embarrassed to publically associate itself with a Nazi like you, that ought to tell you something.

You thought you were gonna get away with your racism?!
You thought I was gonna pay you to come to my school and publically humiliate me in front of my peers with your racism?!

Put my "intellectual angst" (it's called "anti-racist ethics", stupid) in your hash-pipe and smoke it, you racist bastard!

EVERYBODY: GO OUT THERE AND EXPOSE A FASCIST RACIST NAZI TODAY!
THE INTERNET IS REALLY EFFECTIVE! THIS PROVES IT!

Tex.


So you fly all over the world
The glamorous, the flossy-flossy
You fly to Singapore, Japan, NOT AFRICA
Got people shacking your hand
BUT NOT IN AFRICA!!!

Thought I'd let'cha get away
But I put you in my LJ
Now everybody knows
You're an asshole

12:38pm: A Russian-Nigerian joint venture firm called NIGAZ?! Did Jochen Roller consult on the name?




This goes to everything I wrote about Jochen Roller raping watermelons onstage and blaming the idea on his self-styled black boyfriend:



Saturday, July 04, 2009
What's in a name?


Someone sent me an e-mail about what I am about to post, (thanks Genevieve) and I honestly thought it was a joke. How could it not be?

They say "truth is stranger than fiction", and that old adage plays itself out more and more every day. Now I am left to wonder: did the Russians know? Is this some kind of a sick joke?

Oh, before I go any further, let me tell you exactly what I am talking about: Here is a quote from BBC news:


"Russia's energy giant Gazprom has signed a $2.5bn (£1.53bn) deal with Nigeria's state operated NNPC, to invest in a new joint venture.


The new firm, to be called Nigaz, is set to build refineries, pipelines and gas power stations in Nigeria.

Analysts say the move could further strengthen Russia's role in supplying natural gas to Europe.

The agreement comes during a four-day African tour by Russian President Dmitry Medvedev.
As well as forming Nigaz, Russia is keen on developing a trans-African pipeline to transport Nigerian gas to Europe. This could further reinforce Gazprom's already-strong influence over Europe's energy supplies..."



You can't make this shit up.

[actually, field, when German performance artists receive 27 000 euros in "arts-funding" to rape a watermelon onstage shortly just before Obama visits Berlin, yes you can!]

And just what the hell were the Nigerians thinking? They couldn't have negotiated another name? Yes Mr. Medvedev, we appreciate the opportunity to do business with your country, but about that name. Oh field, stop being so sensitive, the Africans probably don't even consider that a slur, it's not like the company is called Quashie Inc. or something. Haven't you ever heard of a coincidence? Just because the word might offend you A-merry-can blacks, doesn't mean that it's a bad word to the rest of the world.

I could see if it was in South Africa and called Munt Inc. for crying out loud, then maybe you would have a legitimate beef.

Yes, but consider: What if say a South African company wanted to do business with the Chinese government and decided to incorporate their company as Chink Inc.?

[ EXACTLY! EXCELENT! GO FIELD!]

Would that be cool? I think not. Or, how about a Japanese company calling itself Doujin Inc. when doing business with an African American owned company?

Or, an American company called Gook Inc. in Vietnam?

See where I am going with this?

Just because the folks in the particular country doesn't take offense, doesn't mean that it is not in poor taste, and it sure as hell doesn't mean that the Russians didn't know what the term meant.

[ YES YES YES YES YES! THAT'S EXACTLY WHAT I SAID ABOUT THE WATERMELON RAPIST! I AM SO GLAD WE'RE ON THE SAME PAGE!]

I can see them now, laughing their asses off over a couple of fine bottles of Vodka.....wait, that was a stereotype on my part. Bad field Negro!

Ha ha ha, Boris, do you believe those Africans? We actually got away with naming the company Nigaz!!! Ha ha ha. They will do anything for money those Africans. Ha ha ha.

[ Grrr! I can imagine Jochen Roller thinking something similar to himself: "We actualy got away raping a watermelon onstage just before the Obama visit! Hahaha! The German government will fund anything racist just as long as it's called art."]

But take heart people, apparently some folks in Nigeria aren't so amused, and I can't say that I blame them. Hey, maybe they can get the name changed to Russki or something. I kid I kid.


Tex.

2:01pm: Dutch minister of "health" says: roll your sleeves up for the Tamiflu LSD trip






Remember: flu vaccination season in the Netherlands is between mid oct and mid nov. Leave the country if you can.


Dutch Health Minister Ab Klink has ordered 34 million vaccine doses against swine flu.

The amount is enough to vaccinate each person in the Netherlands twice, if scientists ever were to make such a recommendation.

Minister Klink, who already had an option on the vaccine, today signed contracts with a number of companies.

The doses should be ready by the end of the year at the latest.

Last week the World Health Organisation moved to classify the H1NI influenza as a pandemic.

The number of infections in the Netherlands now stands at 87.

http://www.rnw.nl/nl/node/7205




Klink zwijgt over kosten griepvaccin
Uitgegeven: 20 juni 2009 12:34
Laatst gewijzigd: 20 juni 2009 12:33

AMSTERDAM - Minister van Volksgezondheid Ab Klink (CDA) wil niet ingaan op de kosten van de 34 miljoen vaccins tegen de Mexicaanse griep die hij heeft besteld.

De Volkskrant meldde zaterdag dat volgens deskundigen met de order een bedrag van 200 tot 250 miljoen euro is gemoeid, veel meer dan de schatting van Klink van enkele tientallen miljoenen euro's.

...

Klink overweegt verder voorraden van de virusremmer Tamiflu ook te laten gebruiken als het middel over de houdbaarheidsdatum is.

De bewindsman zei te hebben 'vernomen' dat Tamiflu ook na de uiterste houdbaarheidsdatum effectief is en kondigde aan gebruik van het middel niet na te laten als dat de gezondheid dient.


Met de 34 miljoen vaccins tegen het virus die zijn besteld, kunnen alle Nederlanders twee keer worden ingeënt. Met een enkele prik is bescherming niet gegarandeerd.

De vaccinaties zullen plaatsvinden op basis van vrijwilligheid.

http://www.nu.nl/economie/2025762/klink-zwijgt-over-kosten-griepvaccin.html



"op basis van vrijwilligheid"... YEAH RIGHT! The WHO decree (raising the level up to six) allows govts worldwide to forcibly vaccinate populations, so the above statement about doing it on a voluntary basis is total crap.

People, DO NOT TAKE THE VACCINES! They will NOT help you! If you're lucky, they will do nothing at all. If Alex Jones' guests are right, these vaccines will only make you sicker and weaker in the long run. DO NOT TAKE THEM!

As for Tamiflu, that drug makes you go crazy. Literally. Only LSD addicts should consider using Tamiflu, because the "side-effects" of Tamiflu are basically the same as having an LSD trip! Timothy Leary's secret wicked dream (of dumping LSD in the water-supply, forcibly making people stoned) is coming true thanks to the worldwide flu-"pandemic" scare.

Tex.

6:35pm: RIP Jochen "Lust for Life" Roller of No Money No Love







UPDATE: My goodness, a day after I posted the eulogy below, mourning the stage-death of one of my favourite stage-characters ever, Wacko Jacko dies for real. Jackson lived like king but died awash in debt.

Contrast that to what the Field Negro wrote in his MJ eulogy:


We forgave because he broke barriers. He was the first black artist to really get some shine on MTV. He turned white folks on to our music and the way we dance to it. (Who can forget Michael moon- walking into white A-merry-ca's living rooms and their hearts?) And he crossed over and got paid. (Yes, we celebrated the fact that he got paid. Because contrary to what plenty of you believe; black folks aren't all crabs in a barrel)

He got paid, and ended up in massive debt. No Money No Love. Infowars tries to steer the sobbing mob straight.



Uraufführung

DO 13.08. Alte Börse - Handelskammer Hamburg

In seiner Tanzperformance No Money, No Love machte sich der Choreograf Jochen Roller im Jahr 2002 darüber Gedanken, was denn seine zahlreichen Nebenjobs mit seiner eigentlichen Profession, Tänze zu machen, zu tun haben könnten. Ironischerweise wurde No Money , No Love genau die Produktion, wegen deren Erfolg der Choreograf nicht mehr zu jobben brauchte. Nach einer über 7-jährigen Tourgeschichte mit mehr als 100 Aufführungen in zwölf Ländern kommt diese Performance jetzt unter den Hammer.

Mit dem Erlös der Auktion wird ein junger Künstler eine Performance für das nächste Sommerfestival 2010 produzieren.

Kunstsammler, Stifterherzen, Spekulanten und Abwrackprämienjäger sind eingeladen, der letzten Vorstellung von No Money, No Love beizuwohnen und bei der anschließenden Auktion den Applaus der letzten Vorstellung, Teile des Bühnenbildes, oder den lizensierten Besitz von Choreografien wie „being christina aguilera“ oder „parfaitement moi“ zu erwerben.

Die Plätze für dieses Ereignis sind limitiert.

Alle gängigen Kreditkarten werden akzeptiert.

„Jochen Roller ist ebenso amüsant exhibitionistischer Animateur wie scharfer Analytiker sozialer Fakten...Ein vielseitiger, faszinierender, unberechenbarer Performance-Künstler.“ [Ballettanz]

[Konzept und Choreografie] Jochen Roller [Künstlerische Mitarbeit] Angela Guerreiro

NO MONEY, NO LOVE ist eine Produktion von Jochen Roller und Ans Brockfeld und dem PODEWIL Berlin. YOUR MONEY MAKES IT HAPPEN ist eine Produktion von Jochen Roller und DepArtment und des Internationalen Sommerfestivals Hamburg.


DO 13.08. 18:30 20 €
[event] [suggest] [video]

http://www.kampnagel.de/sommerfestival/?page=detail&id=464447



Here's what Roller does not tell you about this auction:

When Jochen decided to marry Darryll, he no longer wanted to perform Perform Performing as a whole, as the trilogy it was conceived of in the first place. He particularly no longer wanted to perform the second part, Art Gigolo, because that performance reminded him of a time of his life he was now ashamed of, as a married racist gay man. The Jochen Roller of Art Gigolo was the "emotional", "sensitive" then-bisexual persona that Roller wanted to dissosiate himself from.

So Jochen decided that the 2007 performance at Espalande in Singapore was going to be the last ever performance of the Perform Performing trilogy as a whole. He would rid himself of his old, somewhat refined, "sensitive" gentlemanly Art Gigolo persona, only to adopt the more aggressive, more obnoxious persona of Janclod. For Jochen, coming out as gay was a turn towards a more aggressive, obnoxious, stereotypicaly masculine approach to art and life in general.

Roller decided to keep the first part, No Money No Love, in rotation, because it was still making him money (ie. there was still a demand for it), and could be performed as a stand-alone piece.

Of course, with the advent of the crisis, AND with me exposing the discusting racism of his most recent solo works, Jochen realized that, while hardly anyone was interested in the racist piece Janclod, or the stupid duet with stupid dog Saar Magal, people still couldn't get enough of NMNL. In fact, after a recent staging of NMNL in France, an article was posted on the Goethe.de website, in which the author insisted that NMNL was still "very relevant", and that it would be a pity for Roller to can the piece. That was the last straw for Roller: he decided to ditch even the No Money No Love character that everyone loved so much. He no longer wanted to be Art Gigolo, and he no longer wanted to be that man either.

For me personally, the fact that Roller still had to perform NMNL was the ultimate revenge against his turn towards masculine obnoxiousness and outright racism. It proved to me that people, the audience, the art-world at large, simply don't want to deal with the obnoxious watermelon-rapist of Janclod, or the obnoxious book-tosser of Basically I Don't. Jochen Roller's most recent characters have all been too obnoxious and too crude to be palatable to anyone but Roller himself. Like me, most people didn't want to see those ASSHOLES. People wanted the cute loveable Jochen Roller of No Money No Love. People wanted the old Roller, the old one who did not need 31 000 euros to stage a performance. THAT was the Roller the people loved.

NMNL was the performance that I first saw Jochen Roller perform in. That was the show that got me hooked up. Everything you read here, my indignation, my hurt, my broken heart, my unending wrath, it all goes back to what I felt watching that show. I was the first person in. Roller was there with an Albert Heijn supermarket-bag and he was looking at me as I walked in. *Really* looking at me. I had never felt that acknowledged by an artist before or since. I made my way to my favourite spot, center-front, and as I sat down, I noticed that Roller was still looking at me. I paused for a second, surprised. I stared back. An impulse bubbled up inside me: "Tell him: 'I wish you good luck with your show'.". Why the hell did I feel the need to tell him that?! I'd never said that to an artist before, nor did I feel the need to. Being shy, I didn't tell him anything. I watched the show and I *loved* it. I had never seen anything like it. "No one in the Netherlands performs like that!". I was hooked. I wanted to get to know the guy who staged this amazing piece. Whoever stages this piece has to be as cool as the piece he's staging.

I Googled Roller for a month before discovering his e-mail address in a .pdf somewhere. I sent him two reviews I'd posted on USENET about NMNL, and Roller fobbed me off with a cruel one-liner. (That set a pattern for his later e-mails. I guess this is why Roller mistook me for a gullible love-puppy: despite all the cruel one-liners, I kept coming back, seemingly desperate to get to know him, like a dog expecting a bone but getting a kick each time, sending him essays, sending him e-mails, URLs, anything to make a connection. What do you think the scene in Basically where he targets Saar with books is really about? Roller understood that I was hitting on him with books and text, because I knew he was gay and couldn't hit on him otherwise. But I digress.)


Back to the last ever staging of Perform Performing in Singapore: Roller's co-workers first thought he was only joking when he said he wanted to can the trilogy, and then tried to dissuade him from it when they realized he was serious. After the second show at Espalande, he handed out the props to his co-workers. He gave the Harry Potter marionette to the Espalande owner, he gave the glasses to Katrin Schoof, etc. (He told me he still has the leather stripper's couch in his basement in Berlin. Maybe he'll auction that now too?)

The "gold-digger" is now going to auction off the props of No Money No Love, and that will be the end of it.

I can't think of a more heartless, cheap, obnoxious, undignified way for Jochen Roller to kill off the NMNL character, a character that for me was Peter Pan, Donald Duck and all the great anti-heroes all "rolled" into one.

RIP Jochen "Lust for Life" Roller of NMNL.

I loved you. I cry as I write this. I wish there was a grave for you I could go and leave an "inappropriately elaborate flower-bouquet" (Laura Kipnis, _Against Love_) at. But the racist asshole who miraculously created a loveable character like you wouldn't even grant me that. I would have given you a full-blown pink funeral to honour you and all you stood for, all the nameless precarious workers, all the artist-amateurs, all of us who still do it "for love, not money".

Tex.

Update:
No Money No Love: the facts


Links to my No Money No Love essays on alt.arts.ballet:

[review part 1: aesthetics] Jochen Roller, "No Money, No Love", July
7th, 2005 - Melkweg Theater, Julidans Festival, Amsterdam (NL). Posted: 22 Jul 2005.


[review part 2: economics] Jochen Roller, "No Money, No Love", July
7th, 2005 - Melkweg Theater, Julidans Festival, Amsterdam (NL). Posted: 20 Jul 2005.

Scroll down in the thread and you can find a link to every review of No Money No Love I discovered at the time. This was back in the days before Google resorted to censorship.

And here is the online .pdf (now offline) that listed the original sum that Roller received, and was forced to pay back to Dana Horakova:


*** Übersicht über die Projektförderung 2002 für
privatrechtlich-organisierte Theater und Theater-/
Tanzgruppen in Berlin


Roller, Jochen. "Perform Performing". 6.000 euro


http://www.senwisskult.berlin.de/4_kultur/inhalt/3_stipendien_projektfoerderung/2_theater/ivb/uebersicht2002.pdf


After No Money No Love became a success, it was raised to 9 000 euros:


*** Kulturbehörde für die Spielzeit 2002/2003 Hamburg


Jochen Roller Perform Performing 9.000 € Kampnagel


http://www.senwisskult.berlin.de/4_kultur/inhalt/
3_stipendien_projektfoerderung/2_theater/ivb/uebersicht2002.pdf



In 7 years time, Jochen Roller's funding has increased by a 5-fold.
From 6 000 euros in 2002 for a solo
to a whooping 31 000 euros in 2009 for a solo.

This is what coming out of the closet with your Nazi-SS/white elite pedigree will do to your art-career.

Just get out there and openly say: "My grandfather was a Nazi, my mother was an alcoholic judge preventing Jews from getting Wirtshaftswunder-money through the courts", and the continuation of your art-career is certain under the rulership of the NWO. They will fund the offspring of Nazi scum when they see it.

All the Nazis and fascists will follow Roller's example and crawl out of the woodworks with their rotten family-trees. There are other examples too: Annie Liv Young's career rose to new hights after she came out of the closet with her forefather's slave-driving. The NWO will fund the offspring of slave-driving scum when they see it.

Tex.

1:45pm: A poor person debunks the "eat your back-yard" hype, "grow your own food" trend









They certainly look better than they actually taste!
Just like a lot of your ex-boyfriends, ladies!

I am guilty as charged when it comes to falling for this hype. I too fell for the "grow your own food on your kitchen top" trend, or the "eat your back yard" hype.

At a whim, I bought some ecological seeds (supposedly non-GM, some were hybrids, which makes for weird-looking plants with different leaves on the one side and on the other), and I tended them lovingly. I gave them rainwater, stinking but nutritious seaweed water, eggshell-soaked alkalized water, a bit of vinegar diluted in water to offset the hard water from the tap, I collected 2 bag-fulls of nettles in the woods (my friend and I both got stung despite wearing protective gloves) and with those I prepared 2 bucket-fulls of stinking nettle-water that smells like hell but is apparently the best fertilizer, I fed them cold Camilla tea to kill off harmful bacteria, I covered them at the roots with aluminum foil to confuse and scare away the bugs, I made solar panels for them to increase their exposure to sunlight, I gave them no toxic chemical pesticides, herbicides, fungicides or fertilizers. We're talking about a 100%adherencece to organic ideals here.

And then I waited, at 20 - 31 C degrees variable but overwhelmingly warm weather.

Within 2 months... I cooked one meal in which I tried (hard) to incorporate one hand-full of chewy, paper-like, no-tasting MALE zucchini flowers. For those of you that don't understand the irony of this: only pollinated FEMALE zucchini flowers will actually grow into a full-fledged zucchini. Male flowers, if not consumed or used for hands-on pollination (we have enough bees and butterflies for that here, just no female flowers!), will just wither and die within a few days. Having male-only flowers means I bought worthless seeds that grew into fruitless plants. Ergo, I was ripped off. Buying organic doesn't mean you're getting a better deal.

The "saving rainwater to save water" scam

I calculated that I need about 16 liters of water a day to water 9 tomatoe- plants and 5 zucchini plants. In an attempt to Do The Right Thing (C) (R)(TM) AL GORE, I tried to save rainwater every time it rained. I managed to save about one petrol-jug full of rainwater, or 14 liters of rainwater. That's barely enough for one day's worth of watering.

Whenever it rains - as it does about once every two weeks - I still need water from the tap for 5 days - or: 7 days- (1 day that it rains + the day thereafter that I use the collected rainwater - that I have to water my plants for the rest of the week. Saving rainwater will NOT yield enough to water all these plants - unless you have a swimming-pool sized rainwater-barrel or something... In the end, you *will* waste more tapwater watering your plants. And you're telling me this DIY food-growing is BETTER for the environment? All that wasted tap-water?

The "seeds are the ultimate food-insurance" scam

To anyone who buys storable seeds thinking this is the ultimate form of " food insurance" as the advertisement goes... why don't you, as a test, try GROWING some of those storable seeds you bought? Think a world breaking apart will stop and hold its breath for 2 months, while you try to grow your seeds? You're better off buying super-sprouts you can grow within a few days and eat immediately rather than bothering with plants that have to grow fruits. My guess, based on my obeservations of just how much time and water is needed to get something to grow, is that, when push comes to shove, you'll be eating your young plants before you can even sit down and cry over the fact that they will never get a chance to grow into anything that will yield fruit. In this fast world, it just takes too much time, and, yes, too much precious water.

Thank Gawd for organized agriculture!

What has this failed attempt that growing veggies taught me?

Thank Gawd for Green Revolution, industrial-sized, organized agriculture! From now on, I will gawk at full-time farmers the same way some people gawk at rocket scientists or surgeon generals. These professional farmers must surely be black art magicians for causing actual fruit to grow out of that gawddamn plant!

As a feminist, I feel oddly affirmed in my decision to never ever have children. If I can't get a fortified hybrid plant to grow into something that yields fruit, you can just forget me trying to raise children into citizens.

Good luck to all the yuppies trying to grow roof-gardens and whatnot. I realized that the "grow your own food" movement, even when they are talking about growing food on one's kitchen top, is really an anti-poor movement. I cannot afford a $ 1000 atmospheric water-generator - a yuppie can. Hell, I can't even afford a 50 euro basic rainwater-collection system. 50 euros is a sneeze to a yuppie. Growing my own food only causes me to waste MORE water, which directly affects my water-bill. On top of that, buying soil, buying a shovel, buying scissors, buying a watering can, buying limestone (for calcium and irrigation, the soil in the backyard is hard clay), all these tools and things cost MONEY. I am not made of gold people. cannot avoid the conclusion that contrary to what's advertised right now, DIY gardening of food is RATHER WASTEFUL. How can anyone claim that this DIY screwing around, is better for the environment than centralized organized agriculture? At least "the industry" gets us all fed.

I'm off to the supermarket to buy juicy pesticide& herbicide laced zucchini for all the money I wasted on tapwater over the past two months, pursuing a misguided attempt at growing tasteless male zucchini flowers, wonderful intense-yellow ornamental flowers, but still, utterly worthless tasteless BIMBO flowers.

Tex.

2:14pm: "Shit happens"? There's always worse than you Shitcat








This ignorant Negro must be trying to start a small country all by his damn self. (The Republic Of Dumb Negro)

When someone e-mailed this story to me I was hoping that it was a hoax. But sadly, given what I do for a living, I knew that it was most likely true.

So here comes Desmond Hatchett, a Negro with the super sperm who doesn't believe in covering up his johnson when he is...ahem, performing.

So this Negro has 21 children with 11 different women and he is 29 years old.

That was not a misprint: I SAID 21 CHILDREN WITH 11 DIFFERENT WOMEN AND HE IS 29 YEARS OLD!

Now that's bad, but what is even worse is that old Desmond has a minimum wage job. So, as far as paying child support goes, Desmond has a problem.

But it's not all bad with Desmond; he insists that he knows all his kids names and birth dates, and he swears he won't be having anymore.


"I'm done. I'll say I'm done,... I didn't intend to have this many. It just happened." Calling Dr. Mengele.

...

This story is tragic and sad on so many levels that I don't know where to start.

The lack of self esteem from these women, the flip way that Desmond views fatherhood, twenty one children who will grow up without a father, and eleven mothers who will never have the real support that they need--- financially or otherwise--- for their children.

"Some of the Hatchett’s baby mamas only receive $1.98 a month in child support". (Minimum wage)

http://field-negro.blogspot.com/2009/06/oh-hell-no.html


Someone responded in the comments with:

"if he was white, he would have a reality show".

In Germany, all you need is to abandon the one mother of your one bastard child, then declare your Nazi pedigree ("my grandpa was in the SS") and the Nazi German govt will award you with a Serious Professional Performance Art Career at 31 000 euro a pop a year.

Just ask the Shitcat, he can tell you all about this welfare scam for absentee fathers. Condition: you have to be a WHITE absentee father.

Not as hip as having your own reality show, but everyone knows all those avant garde artistuhz became artistuhz because they didn't have what it takes to become TV trash-celebs.

I recall how deeply offended I was when the Shitcat responded with "Shit happens!" when I said: "But Jochen, if you have a 16 year old son now, that means you were only 19 when you had him."

"Shit happens". That's the Shitcat's aloof and heartless response to bringing forth a new life.
I can't wait for the day the Nazi German govt pays single mothers 31 000 euros a year to raise an unwanted bastard child, just as the Nazi German govt pays Jochen Roller 31 000 euros to escape his parental responsibilities under the guise of pursuing a Serious Professional Performance Art Career.

Thank you Nazi German govt for subsidizing irresponsible heartless selfish absentee fathers under the guise of subsidizing art!

I bet Jochen eventually became a whore so that he could say: "Women will have to PAY me to wear a condom! *nazi laughter* " And I bet Mr MuhMan has few bastard rugrats of his own, so the two of you can sit there smoking pot and laugh at your shit-happening together, no-good no-Madonna Father-figure and his drug-dealing self-styled "black" trinket-son.

I rewrote the Gold-digger lyrics to refer to the Shitcat's paternal absenteeism. Now every time I listen to the song and rap along, I say:

18 years, 18 years,
And on his nineteenth birthday
Still wouldn't use condoms

As Jade Star said on the FN blog: "Stories like this makes my ovaries curl up and die every time. This cat needs to be dragged into the street and have his nuts beaten with a spiked bat, REPEATEDLY!.
See Jochen, real Black folks (not self-declared ones) like the Jade Star I quoted above don't need white "father-figures" telling them what to do, cos they already know how to deal with your type.

Tex.

2:08pm: New Age quack Jomanda 12 maanden voorwaardelijk, nu Cora Emens nog







Jomanda (born 5 May 1948 ) is a controversial Dutch New Age guru who refers to herself as the Lady of the light. ... The Dutch Federation Against Quacks (Nederlandse Vereniging tegen de Kwakzalverij) listed her as #15 on their top 20 list of quacks.

http://en.wikipedia.org/wiki/Jomanda


http://www.google.gr/search?hl=el&q=Jomanda%2C+12+maanden+voorwaardelijk&meta=

Gooi al die vuile New Age oplichters in de gevangenis!


Het Openbaar Ministerie heeft het gehad met Jomanda, en eiste vorige week een voorwaardelijke gevangenisstraf van twaalf maanden. Jomanda zou tegen Sylvia Millecam hebben volgehouden dat zij geen kanker had, maar slechts een bacteriële infectie. Daarnaast eiste het OM een beroepsverbod van twee jaar tegen Jomanda.

Die voorwaardelijke gevangenisstraf mag wat mij betreft subiet worden omgezet in een echte.

Jomanda is een bedriegster en een oplichtster.
Te vaak heeft Jomanda mensen valse hoop voorgespiegeld, doodzieke mensen weggepraat van echte zorg en mensen ronduit voorgelogen.
In een healing heb ik haar, nadat ze bezwerend een takje brak, tegen iemand horen zeggen: ‘Zo. Nu zijn je uitzaaiingen weg!’

Hoe durf je.

Wat Jomanda doet en zegt, is gevaarlijk voor andermens gezondheid.

Ze heeft jarenlang valselijk volgehouden dat ze een recept had dat kanker genas (iets met levertraan, salie en honing), en ze heeft publiekelijk meermalen beweerd dat ze mensen met aids kon genezen –"Ik heb héél goede resultaten geboekt," zei ze – en voegde daar aan toe dat het dan wel beter was als ze stopten met hun reguliere medicijnen.

Ze joeg mensen daarnaast angst aan voor echte behandelingen: "AZT verkoolt je ingewanden," loog ze keihard.

Het OM had die blauwe charlatan al tien jaar geleden voor de rechter moeten brengen.


...

Jomanda weet donders goed dat wat zij doet mensen niet geneest. Ze wurmt zich niet voor niks onder elk degelijk onderzoek naar haar claims uit, zelfs de op tv gegeven belofte dat ze kankeronderzoeker Piet Borst van harte openheid van zaken zou geven en namen en rugnummers van door haar ‘genezen’ mensen zou geven, is ze nooit nagekomen. Toch houdt ze vol dat ze mensen ‘healt’. Dat is openlijk en doelbewust bedrog.

http://www.spaink.net/2009/05/28/het-blauwe-gevaar/


Mooi, en wanneer gaat het OM achter Cora "seks geneest kanker" Emens aan?

Eindelijk, EINDELIJK onderneemt het OM in NL stappen tegen de New Age kwakzalvers. Mensen klagen nu al dat die straf "maar" voorwaardelijk is, maar het is tenminste een duidelijk gebaar dat dit Echt Niet Kan. Als ze nou ook nog achter de kwak-prostitutie van Cora Emens aangaan kunnen we al die New Age rotzooi hier in NL werkelijk in de vuilnisbak gooien.

"Seks geneest kanker"; de commerciële kwak-seks van Cora Emens
http://groups.google.com/group/nl.wetenschap.skeptisch/msg/4727ffeb8921cfe2

Tex.

2:31pm: people still falling for the Public Movement IDF propaganda front







I can't believe people are still falling for the Public Movement propaganda front:

http://www.hebbel-am-ufer.de/en/kuenstler/kuenstler_15472.html?HAU=3

From the HAU promo text: Public Movement works with artists of diverse genres, as well as with persons from public service (for example politicians, policemen, or medics). Note how the HAU deliberately leaves out "military". I was the first person to express public outrage upon discovering the fact that Public Movement was openly backed by the Israeli Defense Forces, the IDF. European tax-payer money is still being wasted on an IDF propaganda front that tours the world under the guise of performance art. Google still refuses to link up to the exposes I wrote.


"The performance “ALSO THUS!”, which was already shown at festivals in Poland and Holland (among others), is a ritual where collective movements like (folk-) dance and marching, as well as intended accidents of the performance group’s members are being shown as initiation. In Israel, where car bomb attacks are part of everyday-life reality, this ritual has a special meaning.". As I explained in my expose, PM are (still) using their Isreali identity to ethinicize their performances, thus denying their global reach and intent. In my expose I argued that PM are used as a propaganda front to acclimate middle class audiences world-wide to the global police state grid that is being put in place by the Power Elites.

What's worse, people are discussing their "art" rather than having a closer look at what's really behind Public Movement.

http://new-art.blogspot.com/2009/01/performance-by-public-movement-in-odz.html

I left him the following comment, which of course he will delete, since none of these art farts have the guts to talk about any real issues, like artists used as propaganda fronts... or as spies.

For the Fabled Enemies part I ref below, see:

http://www.youtube.com/watch?v=G28sLftwTLk



Public Movement is an IDF backed propaganda front employed to push for the militarization of the police world-wide, acclimating the general public to this militarization by staging public events gloryfying authoritarianism and militarism under the guise of performance art. The Public Movement "performers" are NOT artists, they are IDF propaganda minions. In 2001 Israeli operatives, later revealed as Mossad assets, infiltrated USA institutions under the guise of being supposedly harmless New York art students. Look up the documentary Fabled Enemies for more information on this.

Please read my research into the propaganda front that is Public Movement over here:

It's not performance, it's propaganda: Exposing Public Movement , part 1
http://maria-technosux.livejournal.com/48562.html

It's not performance, it's propaganda: Exposing Public Movement , part 2
http://maria-technosux.livejournal.com/49065.html

These people are NOT artists and they do not deserve your support.

Maria Technosux




Tex.

1:57pm: Maxim Biller: "If my aunt had balls, she'd be raping watermelons"







I came across the following statement on the Kampnagel site:



Editorial

Kampnagel - "The ends justify the means"

A meteorite impact of a very different kind in recent years, was the much talked about and since banned book “Esra” by Maxim Biller. Director Angela Richter takes up the story of the novel with: DER FALL ESRA. REZEPTIONSDRAMA EINES ROMANS (THE CASE OF ESRA. THE DRAMA OF A NOVEL’S RECEPTION).


I hadn't hear of this before, so I did my homework. This is what I found:


Esra relates the breakdown of the relationship between Adam, a writer, and his Turkish girlfriend.

The novel was published by Kiepenheuer & Witsch at the end of February 2003. Shortly afterwards, a woman who had once been Biller’s partner started legal proceedings against the book in a joint action with her mother – and since then it has been a matter for the courts.

...


It appears as if Maxim Biller very consciously wanted to use Esra to test out the limits of the freedom of art.
This is suggested not least by the fact that his text itself raises the issue of these limits again and again, and even anticipates the accusations that Biller’s publishers were to fight against for four years.

“From the beginning, Esra had told me I should never write anything about her,” it says in the novel.

The book also includes a passage in which Esra tells the first-person narrator plainly that she does not want to show him her breasts in order to read about exactly this somewhere at a later date, but because, “I want to be private with you.”

However, the text of the novel also reflects the author’s own position:

“It was not easy for me to live with Esra’s fear of the written word. I tried to put myself in her shoes and understand where her sensitivity came from. She was probably like most people: She did not want to see how someone else saw her.” And he sets out his conscious decision to narrate the story: “I may not be the kind of person who is constantly making notes and planning how every second of his life could be used for future stories and novels – all the same, I don’t want anyone telling me what I am allowed to write about and what is not allowed. That would be as if you were to take away the air from me.”

Protecting the right to privacy

The Esra case is the first decision by Germany’s highest court to prohibit a book in the Federal Republic of Germany since 1971. At that time, the judges of the Federal Constitutional Court banned the publication of Klaus Mann’s roman à clef Mephisto because they believed it infringed Gustaf Gründgen’s right to privacy. The action had been brought by the heirs of the late actor and theatre manager, who was recognisable in Mann’s novel as the Nazi careerist Hendrik Höfgen.
The judgement against Esra was passed by the closest possible margin of five votes to three. The declaratory part of the ruling stated that the right to privacy had been infringed:

“This happens in particular as a result of the precise depiction of the most intimate details of a woman who is clearly identifiable as an actual intimate partner of the author. This constitutes an infringement of her intimate sphere and therefore an area of the right to privacy that is integral to the core of human dignity.”

...

“Esra! Esra… It is a story. It is all just made up.” With these words, Adam seeks to explain the difference between fiction and reality to his girlfriend in the novel. Esra does not find this very convincing, if only because Adam contradicts himself on this point: “You didn’t say that before.”
In all likelihood, it would only have required a few changes and Maxim Biller’s second novel would have been available in bookshops today. And if he had known the consequences that awaited him, he would probably have taken a different approach. However, the 47-year-old author responded very robustly to such speculations at the end of a reading in the summer of 2007: “If my aunt had balls, she would be my uncle.”

http://www.goethe.de/kue/lit/thm/aug/en2815556.htm


I am not surprised at the sexism in the final statement, since it's always men exposing the initmate lives of women. Kampnagel boldly declares itself on the side of the sexist racist male artist with "the end justifies the means". That exposing a *TURKISH* woman's sexual life with a white German man has a whole different set of consequences for a Turkish woman than it does for a German white male is something that the Kampnagel racists do not want to consider. As far as Kampnagel is concerned Biller's racist ends justify his racist means: publicly humiliating a Turkish woman knowing full well that a Turkish woman's sexlife is valued differently amongst patriarchal Turkish communities than amongst the white "general" public. (Both are sexist, but sexist in their own way).

Tex.

1:56pm: Maori Quack Medicine






I recall Shitcat telling me Mr MahMan had a hard time finding a job in Berlin.

If Darryll still can't get a job maybe he can try to make a living in Germany doing this:




http://www.maorihealing.org/index.php?page=About_Maori_Healing

Hahaha, it's total quack, but I just I love the image on this page!

Look at that kitty there!

Tex.

1:07pm: Damali Ayo on "how am I supposed to know?" and white erasure of black people









1• She went down the classic "How am i supposed to know?" path:

Lady: "I didn't mean to upset you." (note: I'm not at all upset) "I mean I didn't know that about lynchings and all of that, that hanging a noose would make someone uncomfortable?"
Me: "Really? You couldn't figure that out?"


Lady: "No, I mean, I didn't know."

Me: "Really? That's like saying you didn't know about swastikas."

Lady: "Right. I didn't know."


She's not even listening to me. Of course she knows that swastikas are a symbol of hatred. How can you know *about* lynchings but not figure out that nooses are a symbol of....lynchings? Or that lynchings are a symbol of hate? Is there a kind of "just getting to know you" lynching? Happy birthday lynching? No. No there is not. Put it together lady, it's not that hard.


Just like the Shitcat claims that raping a watermelon onstage has nothing to do with racism...



Apparently, I have not made my point clear here- some people are claiming that I am simply kvetching about the plight of people of color in our culture and finding racism where it doesn't exist. It's not that, I assure you.


Just think, there has never been, will probably never be a moment when you are watching a reality TV (or any TV) show and think "oh bummer, there's no more white people to watch." Get it?

For us, there is constantly the feeling of being picked off, one at a time to the point of extinction.

It gets grim after a while, not only because we want to see ourselves represented on television (in respectable non-minstrel ways), but because it mirrors real life.

Many people of color, myself included have had the feeling of being counted out one by one until we are either the last one in the room, or the ones standing outside of the room with our numbers on the outside disproportionate to the numbers of white people on the inside.

It's not in our heads.
It's real.

http://damaliayo.com/pages/blog.htm


Tex.

2:34pm: More scientific proof showing why social networking sites REALLY suck






More scientific proof showing why social networking sites REALLY suck when it comes to privacy protection:


They put photos on 16 popular websites - noting the web addresses where the images were stored - and deleted them.

The team said it was able to find them on seven sites - including Facebook - using the direct addresses, even after the photos appeared to have gone.

Facebook says deleted photos are removed from its servers "immediately".

The Cambridge University researchers said special photo-sharing sites, such as Flickr and Google's Picasa, did better and Microsoft's Windows Live Spaces removed the photos instantly.

To perform their experiment, the researchers uploaded photos to each of the sites, then deleted them, but kept a note of direct URLs to the photos from the sites' content delivery networks.

When they checked 30 days later, these links continued to work for seven of the sites even though a typical user might think the photos had been removed.

Lazy approach

Joseph Bonneau, one of the PhD students who carried out the study, said: "This demonstrates how social networking sites often take a lazy approach to user privacy, doing what's simpler rather than what is correct.

http://news.bbc.co.uk/2/hi/uk_news/8060407.stm


So people, please, for the love of Gawd, stop sending me invitations to join social networking sites.

Tex.

2:33pm: More editorial cocksucking of performance Nazis by Elisabeth Nehring







More editorial cocksucking of performance Nazis by Elisabeth Nehring in Ballettanz. Check out the SIMPLE questions!


jochen roller
Profile "Basically I Don't But Actually I Do" is the title of a piece in which the choreographer-dancer asks two simple questions: how could millions of Germans murder a minority of millions of Jews? And can you turn that into dance? By Elisabeth Nehring


With cocksuckers like Elisabeth Nehring, no wonder Jochen mistook me for a love-puppy. Gotta love the inclusion of the "simple" epithet, as in "two SIMPLE questions: "how could millions of Germans murder a minority of millions of Jews? And can you turn that into dance?"

For answers to such SIMPLE questions: Alex Jones on the Fourth Reich


We see Europe literally descending into the depths of fascism, from the ashes of the Third Reich we see the rise of a Foruth Reich, which is a bizarre mutation and a hybrid between de British Empire, the USA Empire and the Nazi empire.




Tex.

2:32pm: Karin Spaink on the VOID









[D]at wil ik zo graag zijn: serieus zijn en serieus genomen worden. Met ziektes en al, en met de ideeën daarover, en met al die andere lastige onderwerpen erbij en ernaast. Juist met al die lastige onderwerpen erbij en ernaast.

...

Al te vaak voel ik me een Cassandra, of gewoon maar vergeefs: roept ze weer dat het toch heus ingewikkelder ligt, waarschuwt ze weer voor wat we met open ogen besluiten of denken, wil ze weer de achterkant van het gelijk naar boven halen. Natuurlijk, íemand moet zulke dingen zeggen, maar ik vind mezelf vaak een ergerlijk repeterende breuk. Het allerakeligste is: het maakt meestal geen klap uit want iedereen gaat gewoon door met wat ze al deden en zeiden.

Toch is het belangrijk zulke dingen te blijven zeggen.

Dat steunt en sterkt anderen die zich onbehaaglijk voelen bij het gangbare.
Mensen die hun verhaal, hun zorgen, hun belangen en hun meningen niet vertolkt zien in het reguliere vertoog.

Mensen wier positie een gat in de taal vormt.

Want in een lacune ( A VOID) van de taal vallen betekent uiteraard ook: een gat (A VOID) in het debat zijn.

Maatschappelijk niet gehoord worden.
Geen publieke stem hebben.
Geen plaats hebben waar je hardop kunt nadenken, en daarom: bij voorbaat in de verdediging gedrongen worden.

http://www.spaink.net/2009/05/21/dankwoord/#respond


These are the words I read and that heal my wounds when I am forced to witness frauds like Andre Lepecki lionizing frauds like Paula Caspao (Lepecki is going to publish the very same essay in which Caspao plagiarized my online essays in an upcoming compilation on Performance Art), and when I am exploited and humiliated by an artist I desperately wanted to support and befriend. Jochen Roller then goes on to make a performance called VOID, but the void described above, a cultural gap or void to which he himself contributes with his cruel racism towards me and everything I represent in his racist world view, that is a void he will never address. Hence why his performance should be renamed A-VOID, instead of just VOID. Things you like aren't necessarily good for you, and this is tragic because it causes you to distrust your instincts.

Tex.

2:31pm: Gerald Celente's College Crash in the making: no credit cards for poor students


WASHINGTON – It's an end of an era for the thousands of college students who rely on MasterCard or Visa to get them through tight times.

Under a new law awaiting President Barack Obama's signature, credit card companies will be prohibited from giving cards to people under 21 unless they can prove they have the means to repay the debt or a parent or guardian co-signs for the loan.

Congress passed the bill this week, and Obama was expected to sign it into law Friday. The changes will go into effect in nine months.

"The hope is that when they spend, they'll spend under better terms and there'll be fewer traps for them," said Pedro de la Torre, a spokesman for Campus Progress, a progressive group in Washington that tracks issues affecting young people.

Congress is hoping to break a vicious cycle: A cardholder falls behind in paying the bill and watches helplessly as the interest rate spikes on the existing balance. Buried in higher rates and late fees, the cardholder spend less, which hurts local businesses.

College students are particularly vulnerable.

According to Campus Progress, aggressive marketing by the card companies and multimillion-dollar agreements with universities have presented young people with ample opportunities to borrow money they can't repay. College seniors with credit cards are graduating with an average balance of $4,100, a 41 percent increase in the past five years, the group says.


...

The banking industry opposes the changes.

"Less credit will be available generally, which means some consumers and small businesses will not be able to obtain credit cards at all, particularly younger people and startup small businesses," said Edward Yingling, president and CEO of the American Bankers Association.

A spokeswoman for Sen. Christopher Dodd, D-Conn., chairman of the Senate Banking Committee, said the provision would not be retroactive. People under 21 who already have cards would be allowed to keep them, she said.


Straight after the above, Yahoo posted this:

AP poll: Many students stressed, some depressed
http://news.yahoo.com/s/ap/20090521/ap_on_re_us/us_college_poll_depression

The fallacy behind all this is the assumption that people, in this case students, are getting credit cards - or, to use economic terms, are bying access to liquidity - so that they can go on a spending spree, "wasting" money on items and services (read in this case: education and books) they would otherwise not be able to afford, and hence, not want. All this measure does is turn higher education in the USA even more into a luxury item/service. And in doing this, it will only hasten the College Crash that Gerald Celente predicted.

Tex.

2:22pm: Bilderberg 2009 in Vouliagmeni; Who/what is "Eurosec"?







For me there is no difference between traveling to Germany to expose a Nazi like Jochen Roller, and traveling to Vouliagmeni to expose the NWO Power Elites. Either way I exposing the elitists who hate and want us all dead. The philosophy driving the one and the other is one and the same. The Shitcat's personal philosophy is just a microcosm of what drives the NWO globally.

As for Bilderberg @ Vouliagmeni, all the auto-roads in the proximity of the hotel were patroled by regular Greek police who, as reported on Inforwars, blocked all the main roads to the hotel. The hotel is situated on a "tongue" that rolls away from the mainland and is surrounded on all sides by the sea, allowing the police to effectively block the main roads. That made it near impossible to reach the hotel by car. Don't know if anyone tried to reach it by boat, but I would have guessed they had marine police patroling the sea as well. [Update: According to the Guardian, someone indeed tried to do this, and predictably failed: "Bernie, from the American Free Press, and Gerhard the documentarian (sounds like a Dungeons and Dragons character) chartered a boat from a nearby marina to try to get photos from the sea. They were stopped three miles from the resort. By the Greek navy. (source)]



On the day I was there, I witnessed the L.A.O.S. nationalists protesting at one of the main entry-ways blocked by the Greek police, with a long white banner that said: "Mpildermperg Anepithimiti" ("Bilderberg not welcome/unwanted"). This was before the L.A.O.S. people were attacked by the police. I did not witness that attack.

However, and this was not on Inforwars, on the autoroads around Vouliagmeni we also we witnessed private(?) "cops" on bikes wearing badges that said "Eurosec".

These Eurosec "cops" drove their bikes amongst the traffic, rushing by on big motor-bikes. I made an audiovisual recording of one of these thugs on a bike from inside our car.

The Eurosec "cop" I recorded was riding his bike with no helmet on. This is illegal in Greece, and despite there being cops everywhere, he was not stopped and fined, so methinks the Greek police must have been aware of these Eurosec thugs-on-bikes being "legit".

So he drove by with his sunglasses on, his hair flapping in the wind. That Eurosec bastard probably thought he was James Bond or something.

I can't find any information on this "Eurosec" online. Is it "just" a private security company that was hired to patrole the autoroads? Or is this the European secret police?

Tex.

2:33pm: A white German racist visits Abidjan







In the series: How to raise your white male kid to be a homosexual racist...

Even the Goethe Institute is doing everything it can to recuperate the image of the racist watermelon-raping Jochen Roller. Goethe is sending Jochen Roller off to West-Africa. Now THAT'll show the world that Shitcat isn't a racist *snort*

After all, when the Shitcat isn't fucking black people, he is taking white art-subsidies to travel to the black continent. Like, how cosmopolitan of him *scoff* No, really, a white racist traveling to Africa and agreeing to work with Real Life Black People, that person can't possibly be racist, can he? *sarc-LOL*

What better way to suggest that the Shitcat "really, oh no, no way" isn't a racist (ahahaha, etc) then by means of the likes of this:



Abidjan Mouvement
Theater, Tanz, Politik, Religion und Show
Festival
24.06.-04.07.2009
Abidjan, wechselnde Orte
Eintritt frei
+225 22400160
programm@abidjan.goethe.org

Abidjan ist Hot Spot der Musik- und Entertainmentproduktion in Westafrika und der Karibik und hat eine junge Generation hervorgebracht, die Straßenkompetenz und selbstgeprägte Eleganz mit einer intensiven audio-visuellen Produktion verbindet.
Traditionelle Formen aus Religion und Alltag treten in Austausch mit modernen Strömungen der DJs, Tänzer
und Videofilmer und vereinen sich so zu einer westafrikanischen, urban geprägten Moderne.

Gintersdorfer/Klaßen machen mit diesen Künstlern den Versuch Arbeiten zu entwickeln, die Differenzen und ungeahnte Berührungspunkte zwischen der Côte d'Ivoire und Deutschland zeigen.

Anelka, Gotta Depri, Cornelia Dörr, Hauke Heumann, Nadine Jessen, Lassana Kamagate, Joseph Muganga, Benjamin Nmpeck, Prince Jochen Roller, Shaggy Sharouff, Kouakou Toussaint, Franck Edmond Yao

Detaillierte Informationen zu den Veranstaltungsorten und -zeiten werden zeitnah veröffentlicht.

http://www.goethe.de/ins/ci/abi/de4573855v.htm



But let's not be fooled by all this. Jochen Roller has joined a long line of white racist artists who think that either fucking black people or making music/art with them somehow magically in and of itself absolves a white racist artist's proven white supremacy.

Racist musician Sting started working with black people after he was exposed for the racist he is. Same for Eric Clapton, a white racist rock musician who started working with blacks after he was exposed as a racist.

Like I said of Jochen Roller in my Blackface Revival:


So you fly all over the world
None the wiser, still a whore
You fly to Singapore, Japan and Abidjan
Got people shackin' shackin' your hand
Hier ver vandaan
So travel down to West Africa
Drop your pants for the negros
While Goethe pays you
And tell them what you did to me
You show me white supremacy
But you still want their money
Fuck you racist
You're an asshole


Jochen Roller loves his Abercrombie&Fitch T-shirts:
http://www.counterfeitchic.com/2009/04/hair_raising.php

Hey, Jochen, don't forget to drag your baby substitute-son Darryllchen along to Côte d'Ivoire, so that he can see what a real black man looks like, and stop declaring himself black cos, helloooo, Maori are racially Asians, not blacks. Get a clue people :-\ When will the Shitcat realize and teach his self-declared black boyfriend that immigration/racism isn't as simple as black & white. *idle hope*

So, to reiterate, Jochen Roller, it's irrelevant how many black people you drag to your bed or how many monies you get from Goethe to pretend you're not a racist while visiting African countries.

If you can't respect the immigrant woman who cleans your judge momma's judge-office and courtroom, you're still a racist.

If you can't respect the daughter of the above immigrant woman, because she went to school, likes to study/read/learn (only a racist like you would dejectedly call this "intellectual angst"), knows more about art then you do, and tried to befriend you and financially support your art, you are still a Gawddamn white supremacist racist. Fuck you, and fuck the Goethe institute for suggesting otherwise.

Read it on another blog and appr here:



"African Americans as well as other racial groups, when they're featured at all in performance art pieces, are routinely figured as abject, subordinate, or illegitimate bodies that serve to highlight the true white subjects of elite art."




Abject, subordinte or illegitimate... that basically sumarizes Jochen Roller's true racist feelings about the black people he's so kind and tolerant and progressive to fuck.

Tex.

PS. Violet Blue defending the censors of CENSORSHIP Nation:

http://www.sfgate.com/cgi-bin/article.cgi?f=/g/a/2009/05/14/violetblue0514.DTL

Damn, I ought to put the whole correspondence with these morons re: asshole Carol Queen bullshitting about asexuality online.

2:04pm: The truth about Google (Alex Jones versus the Youtube/Google censors)






In response to Google's censorship of Alex Jones,
people are now posting the likes of this:


Google Inc

CEO Eric Schmidt
CFO Patrick Pichette

Corp address 2400 Bayshore Parkway PH 650 318 0200
Mountain View CA 94043

Second corporate address 1600 amplitheatre parkway Ph 650 623 4000
Mountain View CA 94043

From SEC filings 5-2009


Nice try people, but this isn't the Google HQ.

What the Google Nazis do not tell the USA public is that their source-code headquarters are actually in Europe, not the USA. Google has suppressed this information, because Google needs to uphold the fake veneer of being an "American" company, one of the digital pillars of the USA economy.

There is a Western-European country (if you wanna know which one it is, you know what to do) that houses all the Google Nazi programmers, intelligent but ethically bankrupt computer engineering and math scientists shipped to that specific country from all over the world. Google programmers are elite labour immigrants. Google picks these nerds from Computer Science and Math Science departments all over the globe, from the Netherlands to Brazil, and then ships them all to this one European country, where they work 80% of the time on Google (and by extention Youtube) source-code, and 20% of the time developing and researching their own pet-project.

Google programmers earn an average of 60 000 euros a year (that's 5000 euros a month) being digital Nazis censoring us all.

If you want to hack Google and liberate all of our information, do the rounds in Europe.



http://snardfarker.ning.com/profiles/blogs/infowarrior-channel-alex-jones

How to I know all this? Because Google censored my livejournal blog for citing an old essay published in a highschool paper by JJ , who now works for the EU. JJ has a younger sister, LJ, who works at the AMC hospital in Amsterdam, and was the onetime crush of D. d. K, one of the Nazi programmers working at said Google HQ in. JJ funneled the request for censorship through LJ, who sent it to D. d. K, who sent it to a common friend of ours, who then sent it to me. (That's right: in order to protect his google ID, the Google Nazi didn't contact me himself, he did so via a common friend of ours. That's how elitist these people are.)

Where do I know the Google Nazi D. d. K. from? Where do I know the EU Nazi JJ from? I went to high-school with them in A'dam back in the nineteen nineties. I knew D. d. K. back when he and my friend were pimple-faced nerds trading Magick the Gathering cards. While I ended up poor and on welfare, but with my ethics and principles intact, D. d. K. all "made something out of himself": he sold his soul to the devil and became a contemporary Nazi programmer at the Google HQ for 60 000 euros a year.

I hope D. d. K. is proud of himself for pumping out better censorship algorythms for CensorTube and the Google Nazis.

Even more infowarrior/Alex Jones accounts now censored on CensorTube:

http://www.youtube.com/user/THEINFOWARRIOR
This was Jason's account, for some reason he still hasn't commented on it on his blog http://infowarrior.infowars.com/

http://www.youtube.com/user/TheInfowarsChannel
http://www.youtube.com/user/911truthnc

»»»»»»»15 Second Download Tutorial
http://www.youtube.com/watch?v=DOh0ZVRzOUE

Alternative sources:

http://www.youtube.com/user/AlexJonesChannel1
http://www.youtube.com/user/GuerrillaNewsChannel
http://www.youtube.com/user/NewWorldNoticias

"This community has to be one of the greatest, no one cares about credit. People just want to get the info out there and this is exactly how it is done!"

Tex.

1:27pm: After S.C.U.M. here is C.U.R.E.: Cutting up racist elitists/edelweiss









Thank you radio eins!

It goes without saying that I'll be sampling the living daylights out of thisone:

http://www.radioeins.de/programm/programmbeitraege/20090416/basically_i_don_t.html

The best thing to do with closet racists is to chop them up, thus exposing their racism:


There's an amazing piece of tape from the 1950s, featuring Gregory Corso, Burroughs, Gysin and a couple other Beats, on which you can actually hear William cutting up a letter and saying: "Let's see what it really says."

These mythological moments affected not just the careers of the protagonists, but our whole attitude to sampling, tape loops and new ways of organising popular music that would not have happened otherwise.

http://www.guardian.co.uk/books/2003/nov/15/art.classics


Hahaha, in the above interview Jochen is rushing to speak as fast as he possibly can (RUN VERBAL RACIST RUN!), as if he already knows that I'll be dwnling this interview to chop it up and sample it. He probably thinks that by voluntarily deleting all the gaps (can you say VOID?) in his speech, he can prevent me from sampling him. Hey stupidcat, ever heard of "time-stretch"? Ask Paul Ratzel to give you a demonstration. Fast-talking will not stop me from sampling your dumb-ass. As long as you are digital, I can slow you down and speed you up anyway I like. That's why you hate computers and I love them. Because even when you try to delete what's literally between the lines, I can still time-stretch you, find all the gaps in your speech, and expose everything you deliberately left out, inserting it right back.

Tex.

2:40pm: New Influenza Virus: Looks like it's gonna be an early retirement mr. Art Gigolo






In Art Gigolo Jochen Roller joked about not having retirement benefits as a dancer because, "thankfully", in the future he will be killed before needing any benefits by a new flu virus.

As usual, in that performance the Oracle of the Kitty was channeling NWO fore-knowledge. One of the many reasons I am so angry at him is for not acknowledging these magickal or prophetic (or call it futuristic, if you prefer a more secular/art-proper term) aspects of his craft. Rather than warning people, he merely makes jokes about it and makes light of all the things he is channeling. Just like a stupid yuppie - as Alex points out, the yuppie types are into feeling empowered by making light of all the things they have no control over. Yuppies hate admitting that there is something they *have* to do, so they resort to stupid jokes of the "Oh well, so what if I get the flu, I'll learn to love it then!" type.

Motherfucker diviner.


Swine flu hits Germany, WHO calls emergency review (AP)

AP - Germany confirmed three cases of swine flu on Wednesday, becoming the third European country hit by the disease that has upended life in Mexico.

New Zealand's swine flu total rose to 14 and the World Health Organization called for an immediate scientific review of the disease.

http://news.yahoo.com/s/ap/20090429/ap_on_he_me/swine_flu_world


How "interesting" that they mention New Zealand in the same context as Germany.

A rarity if it weren't for this new flu virus.

And now, for the practical information. The NWO obviously doesn't have enough medicines to go around, and what they do have is likely to kill people, so people will have to use other means to PROTECT themselves - cos once you get sick these things won't help you!

What to use now to PREVENT the flu:

Elderberry extract - details dossages:
http://www.fluwikie.com/index.php?n=Consequences.Elderberry

Essential oil of oregano - details dossages:
http://www.answers.com/topic/oregano-essential-oil

Olive leaf juice
"A liquid extract made directly from fresh olive leaves recently gained international attention when it was shown to have an antioxidant capacity almost double green tea extract and 400% higher than Vitamin C."
http://en.wikipedia.org/wiki/Olive_leaf

[ can't find dossages, found two different recipes]

Pour 5 oz of hot water over 7-8 grams (about 2 tea spoons) of crushed Olive leaf. Steep for 30 minutes. Drink 3 to 4 cups of Olive leaf tea.

To prepare olive leaf tea, a large teaspoon (approx. 10g) dried olive leaf is placed in a tea ball or herb sack and dropped into two quarts boiling water. The heat is immediately reduced to a medium simmer and the tea let brewed in a covered pot for three to ten minutes with occasional stirring. Tea should be a medium amber color.

DISCLAIMER AND WARNING, ONCE AGAIN :
THE ABOVE WILL *NOT* HELP YOU IF YOU ALREADY GOT THE FLU!

And, for a personal fetish of mine, the latest on Lack of Clear Air, cos what's the point of feeding medicines and extracts to a fish when it's the fish-bowl itself that is dirty and has weakened the fish's lungs in the first place?!



Overall, the report found that air pollution at times reaches unhealthy levels in almost every major city and that 186.1 million people live in those areas. [ 186 mil, that's more than half America; it goes to show how urbanized that country is. - Tex.]

The number is much higher than last year's figure of about 125 million people because recent changes to the federal ozone standard mean more counties recognize unhealthy levels of pollution.

Health effects from air pollution include changes in lung function, coughing, heart attacks, lung cancer and premature death.

[ great, combine already weakened and compromised lungs/respiratory systems by air pollution with a new airborne human/swine/bird flu virus, and you have a recipe for a pandemic. - Tex.]

"Six out of 10 Americans right now as we speak live in areas where the air can be dirty enough to send people to the emergency room, dirty enough to shape how kids' lungs develop and even dirty enough to kill," said Janice E. Nolen, the association's assistant vice president on national policy and advocacy.

Cities including Los Angeles, New York, Atlanta, Charlotte, Philadelphia, Washington D.C. and Baltimore have seen improvements in air quality over the last decade, the report said.

The areas with the most short-term particle pollution or soot were Pittsburgh-New Castle, Pa.; and the California areas of Fresno-Madera, Bakersfield and Los Angeles-Long Beach-Riverside.

The cleanest metro area in all categories was Fargo, N.D.

American Lung Association of California, http://www.californialung.org

State of the Air 2009, http://www.stateoftheair.org

http://news.yahoo.com/s/ap/20090429/ap_on_sc/polluted_cities



People, if you want strong healthy lungs, make sure there is clean air in the first place!

Tex.

2:01pm: Dancing on the Edge festival DUTCH RACISTS: no Turks or Moroccans please!








Call for Dance and Theatre Pieces from Middle Eastern Choreographers, Dance Groups, Theatre Groups and Artists for 2009 festival

In December 2007 the first edition of the Dancing on the Edge- Confronting Dance from the Middle East Festival took place in the Netherlands.

During the festival 10 performances from 7 Middle Eastern countries were presented in three Dutch cities. In the autumn of 2009 (September/October) the second edition of the festival will take place (inshallah!).

For this edition we are looking for contemporary dance and theatre performances . The requirements are as follows:


The groups/artists must be from the Middle Eastern region (not including the Maghreb and Turkey)


The piece itself must be of high artistic quality

The piece must reflect political/social issues of the region

[ well, refusing to invite Turks and Morrocans certainly "reflects the political and social issues of the region" called the Netherlands! How pathetic is this!]


Dance pieces with live music are preferred

Interested parties should sent a short description of themselves and the proposed piece to the following email address: info@dancingontheedge.nl. At a later point DVD’s and other information will be required.

http://www.dancingontheedge.nl/popup.html


You're gonna say: "Come on Maria, you don't like Turks, you think they are all genocide-deniers, what do you care whether or not they are invited to the Middle Eastern theater-dance festival in Amsterdam? After all, those Turks now want to join the EU. They themselves now claim to be Europeans instead of Middle Eastern!".

Well, there is one thing I dislike even more than genocide-denying Turks: snob white racist Dutch high/elite culture gate-keepers who not only refuse to acknowledge the two largest Arab/immigrant communities in this country, but openly perpetrate their marginalization by denying them access to the festival.

Why do these racist cultural gatekeepers refuse to invite Turkish and Moroccan artists to the festival?

Allow me to answer that question, because we certainly won't get a truthful answer from the festival organizers themselves.

The autochthon Dutch author Joost Zwagerman in a recent publication accused the Dutch white cultural elites, the white ivory tower gate-keepers, of loving immigrants only when they appear to be needy. That why they all loved Hirsi Ali, the former Dutch MP: because at first she fully lived up to the stereotype of the poor little needy immigrant, in need of paternalistic protection provided by a democratic country like the Netherlands. When Ali got out of control - openly attacked failing segregationist Arab primary schools, which the Bakelende government deliberately allowed to spring up in an attempt to reinstate secularization in the Netherlands, but really meaning to white-wash "blackening" Dutch public schools - Daddy Netherlands didn't like it one bit that the little needy sad black girl was now spewing her anti-Islamism on TV. That's when Daddy NL relented and kicked her out the country. But lo behold, there were countless other Daddy-Democracies who claimed custody over her. Remember Ali saying: "Je voudrais etre francaise!" in front of Sarkozy when she visited France? White people love that shit, a black child looking up that them with needy, sad eyes, begging: "Daddy Democracy, please take me in, I've nowhere else to go. Daddy Holland kicked me out the house. I need a new home. Je voudrais etre francaise!".

Moral of the story: Dutch people only like Others, Arab Others, Black Others, when these Others are sad, needy and infantilized. As soon as Others assert themselves (as Ali did, but only to a certain extent), they are either kicked out or marginalized. The Netherlands does not want to see or deal with assertive Others.

What would happen if the Dancing on the Edge racists would give up their Dutch racism and invite Turks or Moroccans to the festival? *gasp*

It's not like the sky would fall down upon us and crash us all *rolls eyes* , but the festival certainly has an unspoken racist mandate to uphold.

First, the Dutch cultural gate-keepers would have to acknowledge that while Belgium has NATIVE named choreographers of Arab immigrant origins, that while France has NATIVE named choreographers of Arab immigrant origins... the Netherlands has NONE!

Show me ONE Turkish avant garde choreographer here in the Netherlands. Not hip hop, that's too easy. And certainly not musical-singers (fuck AIDA). Show me a Turkish choreographer or performer infiltrating a lily-white elite art field like performance art. Krizstina de Chatel has an Arab gay clothes designer, but that's about it. In this country you will find no Turks doing Contact Impov on the vlakke vloer theaters.

Now, show me ONE Moroccan student studying at the SNDO. Not in the musical or hip hop depts, that's too easy. Show me one studying to become a choreographer. There are no Moroccan choreography students at a supposedly cutting edge school like the SNDO. The Dancing on the Edge festival is as racist, as white-washed as the SNDO. The SNDO is just another vehicle through which the racist cultural elites maintain their racist hegemony.

In other words, the DotE festival organizers consciously use this festival to marginalize Arab immigrants within the Netherlands itself. That is the ultimate objective of the festival. The festival ITSELF is a racist statement. It says: "We will only acknowledge you, Arabs, when you are from there, not from here. We will only acknowledge Arabs from across the globe, not the Arabs living next door*."

* I hasten to add that most of these white cultural gate-keepers live in lily-white satellite towns, where immigrants never venture. These sat elite towns already existed, but they now contain what is the Dutch equivalent of the American white flight: white Dutch families fleeing from the cities into sat elite towns to escape immigrants and preserve their familial racism by raising their lily-white kids in the lily-white environment of these Dutch "exurbs".

The message of these racist Dancing on the Edge organizers towards of-Arab/immigrant-origin artists within the Netherlands itself is: Unlike Belgium and France, we will definitely not assist you in having a career in the arts. The arts in the Netherlands should remain white. The Middle Eastern Other within the Netherlands should only be a remote Other, not an intimate Other living next door.

Arab theater-makers, feel free to hitch a ride on the bandwagon of this racist Dutch festival. Just don't greet all the Turks and Moroccans you see walking down the street in Amsterdam on your way to the the ate venue. These are the people the Dutch White Cultural Elite definitely does NOT want to see flooding its theatres.

Tex.

10:54am: Why it helps to hang out with hackers (privacy protection)







I've been getting a few highly suspicious e-mails over the past few months from a person using only .doc files, or M$ Word files, to reply to me. This immediately aroused my suspicion. The suggestion implied is that I too ought to use .doc files to reply to them. But I never use .doc files. Hell, I even considered replying with: "I do not open an untrusted .doc file, sent your message to me as flat text.", but a lot of people nowadays don't even know what "flat text" means! A lot of these people have MIME crap as the default setting of their e-mail account or e-mail client(oooh, all the pwetty coluurz!*~*) and wouldn't for the life of them know how to turn MIME off or on. I've disabled all the MIME crap in all of my e-mail accounts. The only thing I use is ASCII. Flat text files is all you're gonna get from me, and that's all I expect from you. If I get an e-mail chockfull of HTML tags because you've been using MIME, I probably won't even read it.

I of course have already figured out why this person is using .docs, hoping that I'll take the bait and do the same.

In the very first e-mail I got, they wrote: "It would be better for you to make yourself known.". That was such a blunt request. I immediately figured out I am probably dealing with a man despite the fact that they were using a female name. This person pretends to be a female over the mail, but I have never met a woman who was this forthright (read: arrogant) over the mail, demanding to see my personal infoz up front. So I am guessing this person is actually a male gender-bender, who is taking on a female ID online so as to win my trust. He also wrote some other crap about being "married to an Armenian" (I just fell off my chair laughing at that point), thinking THAT would win my trust. What a dumbass. I researched their female nickname, and it has no online history whatsoever. No USENET records, nothing. They clearly set up this new online alias for the sole purpose of contacting me.

What this person is doing here is the kind of "hacker profiling" nonsense that was popularized by a private researcher called John Vranesevich in the mid 1990s, who ran a company called Anti-Online (which still exists) and was helping American authorities bust "hackers". Vranesevich's supposedly waterproof method of profiling hackers involved him and an aid getting on IRC and trying to "befriend" hackers on IRC channels. They would then use chat sessions to gather information about the hackers. The hackers were later busted by authorities using the incriminating evidence Vranesevich and his co-worker had gathered in the meantime.

He said: "One method we use is that of creating a "best-friend" on IRC. For example, I am good at performing girlfriends". You can see why the above gender-bender is taking on a female identity. He thinks that I am more likely to trust a woman online than to trust a man. But I have been online long enough to know that gender doesn't matter here when it comes to generating trust online.

Whoever is trying to contact me must be a disciple of the Vranesevich method (which BTW doesn't work).

Now, back the technical aspects: this person is using a .doc file hoping that I'll do the same. Why use a Microsoft Word document? Because he hopes to data-mine a file from my side of the line for personal infoz. In fact, he was as blunt as to suggest that I spell-check my e-mails before sending them out; this again is a veiled suggestion aimed at getting me to use a M$ Word file to reply to him.

Everyone with a baseline understanding of computer security knows that Microsoft has the nasty habit of embedding all kinds of meta-data into M$ Word files behind your back and against your wishes, things like the name of the software-registrar, which is often your own name, or that of the company you're working for, or the school your studying at. Click Tools, then Options, and have look around the tabs. For example, I know that every MM$ Word .doc that leaves my school has the name of the student and the name of the school embedded into it as meta-data. Is it any wonder that I only use ASCII to protect my privacy?

This all goes back to the story from the late 1990s, about the script-kiddie who was caught because M$ Frontpage auto-embedded his real name into one of the meta data tags of the index.html page he uploaded to the domain he had just defaced. I mean, HOW STUPID CAN YOU BE?! This is why I hand-code all my web-pages in good ole HTML, avoiding all the dynamic scripted and style-sheet based crap. I also avoid all the bloatware WYSIWYDON'T!Gs for this reason. If you're too dumb to code a web page, and need Frontpage for such a simple task, thus getting your ass busted because of the meta-data, you don't deserve to be a hacker.

The person who sent me the .docs apparently thinks I am as stupid as that script kiddie. Nothing angers me more than people who underestimate my intelligence.

This person has now given up on the .doc data-mining method, and is now using yet another Vranesevich "hacker profiling" technique in order to obtain my personal infoz.

Vranesevich, after befriending a script-kiddie on IRC, would then create a private chat room, so that he and the script-kiddie could let their hair down and talk freely amongst themselves (this was in the days before Instant Messaging, ICQ, skype, etc.). The private chat room was essentially a honey-pot of sorts, used for collecting information about hackers.

After giving up on the .docs, sensing that this wasn't getting him anywhere, this person sent me an e-mail proudly announcing he had just created a new forum about some topic of interest to both of us. This person should have figured out that I never frequent any forums. Even if I wanted to, the fact is that I barely have time to type out all my personal stuff to bother with someone else's.

This person is now hoping that I will promptly register so that I can access their new forum, but I can smell from miles away that this is a honey-pot. I actually received two invitations in the mail to a yahoogroups mailinglist, and immediately deleted them both. I didn't even have a look at the group.

I know already that this person hopes to mine my registration data - to which he, as the forum-owner probably has full access to - for personal infoz. As if I would input my actual infoz when registering for an online service! I always submit false addies and phone-#s. Most online services have finally figured this out, and have stopped requesting such personal data altogether, requiring only an e-mail addie.

After I had a laugh at their latest desperate attempt to contact me, this person went into the killfile.

I'd love to know why they're so hell-bent on getting to know me, but I won't bother. I've got better things to do, and if you want to know who I am or where I'm at, you're gonna have to hack me the old school way. This Vranesevich crap is just an insult to my intelligence.

Have fun in the trash-can together with all the rotting spam, the stinking shitcats and the junkymales, asshole! "That's right pleased to meet you, I still won't say my name, don't you believe in mystery, don't you wanna play my game."

Tex.

10:24am: The Nazi racist household of Frau Roller: teaching your gay son how to be a racist









Today I'll play the part of non-parent

Now I'll play a public servant
To serve and protect
By the law and the state

The truth in right and wrong
The boundaries of the law

You seem to wonder why
Hundreds of people die

You're writing tickets man
My mom got jumped -- they ran!

Not make a hundred rules
For you to know about yoursef
Not lie and make you believe
What's evil

I QUESTION THINGS BECAUSE I AM HUMAN
AND CALL NO ONE MY FATHER
WHO'S NO CLOSER THAN A STRANGER

- Pantera, Fuckin' Hostile.



A friend here read the previous Shitcat rant and gave the type of look that said: "Come on, this is too much. Calling his mother a Nazi? Come on!"

Let me be honest with you. Do you want to know how Shitcat described his mother to me, before he pulled the revisionist trick and described her as this noble, peace-making, lofty smofty Wiedergutmachungs-judge?

He described his mother to me as an alcoholic who drank away the family budget.

The second day I saw Basically in Hamburg, Jochen's parents were in the audience. (Jochen is as gregarious a slime-ball as his dad, it's creepy how the two resemble one another). What did they do after the show? The parents sat between the married gay couple (no doubt feeling awfully progressive for doing so), and they had a grand Nazi diner-table with their Nazi fellow travelers, during which they drank themselves silly, laughing out loud, the kind of thunderous fake laughter only alcohol arouses in people. I listened to them and thought to myself: "This is the kind of racist crowd that barely a century ago would get themselves drunk, then go out, find a black man and lynch him just for fun. After all, it was the Germans who started the Burning Times.". At the door, people were already lighting up torches (read: smoking fags). The previous day, Shitcat and His Man wouldn't dare sit close to me, but as soon as the Nazi parents were around, they couldn't wait to. It was sooo creepy to have this Nazi bunch sitting there behind me. This is "community" for you: a Nazi lynch-mob family (still) getting itself drunk with a Jew and a self-styled black man sitting at the table.

Something tells me Jochen acquired his racism at his parental home. The speculative image (and I stress, *SPECULATIVE*, tho it's such a cliche it hardly needs confirmation) I have formed in my head of the Roller household is this:

Frau Roller the Wiedergutmachungsrichterin, as a professional judge and a part-time alcohol junky in 1970s Berlin, was too busy, too addicted, and monied enough to not (have to) manage her nuclear family household of 2 kids, so she did what all German bourgeois mothers with a lot of money to at least keep the house presentable: she got herself a Greek or Turkish housemaid, one of those imported immigrant wives that were around at the time (this is where someone like my mother comes into the picture. Hi mom!).

The only immigrant women Jochen Roller ever met or got to see up close while growing up in 1070s Berlin were the weibliche Nikker des Europas - that's Hitler-Deutsch for "Southern Europeans" or "people of the Mediterranean" or "Anyone with not-so-white skin, big features and dark hair/eyes". These women, hired by his mother, would clean up his mess after him so that his mother wouldn't have to. Jochen's overriding image of immigrant women is of mute servants. These women are not supposed to be educated, they are not supposed to save up money to educate their children, much less themselves, they are not supposed to like classical music, much less Stravinsky, much less dance to it, *themselves* even, under the auspices of a name choreographer like Royston Maldoom, and they are not supposed to shop around for avant garde artistuhz to invite for a lecture to their University.

[ Trust me, Shitcat, I certainly learned my lesson on that one. I won't ever pay to support another of you artistuhz even if you were dying of starvation in the gutter, which for you would be a gentle fate.]

Hell, the asshole probably thought an immigrant cleaning-lady would come in with the vacuum-cleaner and clean up his unwanted bastard son behind him too, the fucker.

Back to the story: as soon as he could walk, Frau Roller the lofty nofty Widergutmachungsjudge sent her gay 4-year old son to daily ballet class so as to free up a few hours out of the day for her alcoholism. Thanks to the immigrant cleaning-lady, she also had some time left to sleep away her drunken stupor.

Next day at work: Een alcoholische Duitse Wiedergutmachungsrichterin, in a courtroom full of Auschwitz-Jews, presiding over the latest Wiedergutmachungs-case met een knallende kater - prachtig man! Zoiets verzin je gewoon niet. That Germans would have an alcoholic preside over Wiedergutmachungs-cases shows you how they truly feel about such cases. (Someone out there PLEASE plagiarize the above for a campy German movie or something, cos this is just so painfully ridiculous!) "I don't want to sound dramatic", but, as Jeremy Gloff says, it's the people who claim they don't want to sound dramatic that often make up for the best drama. You just can't make this stuff up.

[ I guess that's why I once wanted to be friends with him. Because I liked him for having such a crazy life. Now of course I realize that this crazy life was also the source of his racism.]

Hiring human beings to do something dirty for you and sweep it all up (from) under the rug is something that future-wouldbe-whore Shitcat also learned in his parental home.

When Jochen first told me all this stuff, about his illegitimate child (a term I hate as much as "illegal" alien), about his mother's alcoholism, I just felt sorry for him and thought to myself: "Oh well, this guy is trying to get his life back together again. I'll support him.". But in the light of all his lies and racism, I no longer feel sorry for him. I look at him as the male gay equivalent of the blond Caligirl who brings a Spanish cholo home to her bourgeois parents in order to shock them. Why else go and fake-marry a drug-dealer? For white-bread kids like Jochen, this is as close as they will ever get to street life, the kind of street life that they have romanticized thanks so groups like Cypress Hill (Jochen doesn't have to worry about "pigs" that "wanna blow his house down" for dealing drugs or importing Purple Haze from the Netherlands), a street life that disgusts them when they see it in those who are real immigrants living in a real ghetto.

So the gay Cali white-girl brings home a cholo for the purpose of shocking his fucked up unflappable, cold, emotionless, stiffy, drown-your-Nazi-guilt-in-a-bottle, bourgeois parents, who because of their impeccable fucking respectful professionalism will never raise their voice at him.

[ "They never raise his voice at him"... I guess that's why Jochen -when he was being belligerent towards me in Amsterdam- at one point looked at me with utter contempt and said: "You're always shouting, you shout at me too.".]

It's the stereotypical image of the fucked up German middle class white family, where everyone never raises their voice, where everyone chokes down their feelings. They can articulate the most atrocious of war-crimes, but they can't express their own feelings. I'll take stereotypical Mediterranean scream-fests any day over this creepy cold German familial repression. The presence of an "Other" in the house, of an immigrant housemaid, only reinforces the bourgeois repression, because these Germans need a negative "Other" to offset themselves against. Thus familial racism is produced. Instead of screaming at her son, Frau Roller screams at the immigrant maid for doing something wrong. After all, she's an immigrant. Screaming is what those immigrants over there do, so it's OK to shout at them, it's all they understand.

I felt hurt when Roller said "You're always screaming at me", but at least I get to express myself. And I love people who express themselves. I love Alex, I love Lydia, I love Henry. Whoever needs to whisper is either a sneaky fraud or a coward, and I guess Roller is a bit of both. Roller only screams when he gets subsidies for it (I'm thinking here of the scream in Art Gigolo after the En Vogue song), so even there, even when it comes to shouting, he's a whore. It's when the Left became scared of screaming and obsessed with bourgeois respectability that they lost the masses to the Right, who discovered the scream-fest rant as a way to appeal to the people.

These repressed German families, ruled by deathly silence (what do you think "I never knew my Nazi grandfather" really means?), professionalizing their Nazi guilt so as to keep it in the semi-public semi-confessional domain of the court-room and out of the parental house, these fucked up German families foster the kind of slimy, sneaky, treachery and the kind of resentful racism Jochen Roller has shown me, and is continuing to showcase in his latest performance.

So do I feel justified calling Frau Roller, Jochen Roller's mother, a Nazi and claiming she raised her son to be a racist? Hell yes I do. German racism has a source, it originates from somewhere. Racist societies reproduce racism by means of the family, and I firmly believe Roller learned how to be a racist right at home. Miles of traveling around the world will not undo a racist mindset once acquired at home. "So you fly all over the world, none the wiser, still a (racist) WHORE".

The more German children are sheltered from the *INTIMATE* nature of German Nazidom (the fact that their grandfather was a Nazi), the more familial racism is reproduced within German society. These are the German kids that grow up thinking that having sex with a racial Other is a revolutionary act in and of itself, that infantilizing a supposedly "needy" racial Other is an act of "love" and "caring", and that educated immigrants (anyone who knows more about art than oneself) are undeservingly ambitious and therefore "scary" or "a threat" to one's career (even when they proclaim to support one's career, as I did with Jochen Roller, putting my money where my mouth was), and are best dealt with through deception (pretending to befriend them so as to milk them) and public humiliation.

I had already noticed there was something slightly melancholic about Jochen's art, and I later figured out it must be the shock and guilt of an early but evaded parenthood.

Then I attended Janclod, and on top of the racist Watermelon rape-scene, and racist jabs at Royston Maldoom, I had to watch Roller get onstage and dance George Michael's "Father-figure" to his self-styled black husband, invoking tired ole white condescending racist paternalism towards needy or infantilized blacks, Lincoln stretching his arms out to the freed black children below his waist. That effectively destroyed any empathy I had for him as an absentee-father, and inspired the verse in my Blackface Revival where I sing:


Absentee-father, gone-a-gone-a-gone-a
Gone-a-gone-a-gone-a-gone-a, you ain't Madonna
Tell me, "Father-figure"
Where's the kid you didn't wanna?
Father-figure, you're an asshole


The self-satisfied racist arrogance of the supposedly loving gesture between newly-wed gay partners was just so sickening to me, as were the no doubt deliberate pedophilic connotations. All the Post Colonial Studies essays I have read and continue to read have made me weary of JUST THIS KIND of white racist bullshit perpetrated under the guise of "love".

I really wanted to be friends with Jochen, but I know I cannot be friends with a racist or a liar. I cried (I still cry) and chose my principles over this never-friendship.


Tex.

5:15pm: Part 4: Jochen Roller/Saar Magal - Basically I Don't But Actually I Do (not wanna molest your hand)








Basically I Don't But Actually I Do
Jochen Roller/Saar Magal
Kampnagel, Hamburg (DE)
March 6th, 2009
March 7th, 2009
by Maria Technosux

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Copyright Maria Technosux 2009
all rights reserved

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Part 4: The hand-touching incident.

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During one scene in Basically, Saar Magal reaches out to touch his hand.

He pulls his hand away.

Flashback:

Roller ואני בבית Frascati Venue כפול הצעת חוק: גופים העיראקים (עיראק) עם "אמא שלי בוכה" ו Yaser Khaseb (איראן) עם חקין מקשה "מסתורי מתנה". לפני הופעות אלה roller ואני תפס כמה סרטים של הסרט החדר.

באותו יום, היה לנו נעלמו הקניות של Kalverstraat. Roller לב HEMA את החנות ואת begged לי להיכנס. "זה אזור מועדף החנות, כל הבית שלי הוא מן HEMA!".

אני מיד נזכר במקום מר שרלטן מ-האוטוביוגרפיה של ג 'יגולו בו הוא "שירותים" של שמן מאד HEMA עובד. זה סצינה בספר היה אמור לגרות סימפטיה עבור שבלוני woes מינית של עובדת שבלוני ברמה האישה כי היה לה לנהוג (אפילו יחסית מקופח אישה כמוה) לתוך שכירה של עוגב. קניות בבית HEMA לעולם לא יהיה זהה לאחר קריאת הספר של מר שרלטן. אני מעוניין לסרוק את הנקבה HEMA העובדים סביבי תוהה מי מעוניין כנראה להיות whorehopper. הנה אני הייתי בבית עם HEMA לשעבר ג 'יגולו עצמי. אני לא אומר לגבי roller מר שרלטן של הספר או כיצד היא השפיעה HEMA הקניות שלי ניסיון.

באותה חנות HEMA roller קנה לעצמו-כוסות תה. הייתי אוכלת ממתקים ו lollipops כל היום כי אני עדיין היו שפעת, ו אוכלים סוכריות (כלומר lubricating הגרון שלי) הייתה הדרך היחידה לשמור על עצמי מפני שעול כל הדרך דרך הופעות. באותה שורה, סוכריות, הוא הציע לי לקנות ממתק. הוא חייב לי שקית של אלה ירוק ואדום lollipops כי צבע את הלשון. הוא קנה לעצמו כמה הבריטי Lollipops ממתק עם ממתק חלי ravers כי השתמשו ללבוש שוב את 1990s.

אז שם היינו בסרט החדר. אני רוצה לתפוס את תשומת הלב של roller כי רציתי של סוכריה על מקל. Roller עדיין had'em כל התיק שלו. אז אני carelessly, thoughtlessly, נגע causally את ידו כדי לתפוס את תשומת הלב.

Roller הסתכל למעלה ונתן לי סוג של ברק, אני מקווה שאני לעולם לא תקבל אף אחד מ. "מה עכשיו?" הוא grunted בכעס, frowning. הייתי המום התגובה שלו, אז לקח לי קצת זמן להגיב. "אני רק רוצה סוכריה על מקל ..." אמרתי. התנהגות שונה שלו, הוא תפס את התיק, לפתוח אותו בקובץ ZIP וקיבלתי את התיק של lollipops. לקח לי רק שתי ו הצעתי לו קצת, הכל בניסיון להרגיע אותו (הוא נדחה).

כל Freudian האצלה בעבודה כאן במקום הזה הוא מקרי לגמרי. מאוחר יותר הבנתי שיש לי כנראה לרוץ על גבי א ההדק. המילה "להפעיל" הישרדות ב אונס ספרות עולה דבר, אובייקט, של ריח, של המחווה, כל דבר זה מזכיר את ניצול לרעה של גרם לה / לו להרגיש מודאג ואת חוששת את ההווה. כל ביטוי של חיבה ספונטנית לדידי נלקח באופן אישי affront ו הגיב ל עם הכי רותח דחייה.

אני תוהה במשך ימים, שבועות, חודשים, למה roller היו מרגישים צורך לשלוח לי כזו שנאה ברק עבור נוגע לו ביד. אולי זה היה להפעיל? אולי טריק תפס את ידו ואת groped עם זה, שהפך אותו מרגיש זול? אולי הוא באמת היה אנוסה על העבודה, כאשר הוא היה עדיין עובד כמו ג 'יגולו? בפעם הראשונה שפגשתי אותו roller היה מדבר איתי על העבודה שלו בתור ג 'יגולו. הוא אמר שהוא אהב את כל מין, אך הודה כי "היו כמה אנשים אמיתיים האידיוטים". הוא כנראה היה יותר מדי גאה, גם macho וכן גם ב מניעת להודות שהוא היה אנוסה molested או על ידי לקוחות. זוהי הסיבה roller הולך מסביב עכשיו הוא אומר את זה dehumanization מעניינת האסתטיקה אסטרטגיה (זה הוא ציבורי מ ripped off התנועה פוגע המכירות-הכותרת "צעידה היא מדיטציה") וכי objectification אחד של הגוף הוא דבר טוב, מפני שהוא מאפשר אחד לקבל דברים לעשות, וזה קשה הומור שחור הוא דרך מצוינת לקבל את עצמו דרך היום. הכל Jochen ו roller אומר האם הוא על הכחשת הרגישות שלו, בחפץ לב ואני מאמין שזה קשור לעובדה שהוא היה אחד משני אנוסה או התעללו מינית על ידי לקוחות כמו ג 'יגולו. במקום התמודדות עם טראומה, היא roller suppressing זה.

אלא אם כן הוא יכול לברוח עם משחק בחוץ, וזה מה שקרה באותו הסרט חדרים. Roller הגיב איך שהוא עשה לי נוגע לו ביד כי הוא היה ניסיון להפעיל-וחשבתי שאני הולך להרגיז אותו.

עכשיו, אני אישה פמיניסטית, אני לשקץ כל צורה של הטרדה פיזית, ואני אף פעם לא להצליח על מישהו או לנסות להתפשר אותם פיזית בצורה כלשהי, במיוחד אם אותו אדם היה יוצא לי. אני כבר יודע roller היה הומו מ הפעם הראשונה שראיתי אותו (מה לחשוב על בחור רזה כלאחר יד tots של Hello kitty onstage התיק? הבחור היה הומו כתוב allover אותו). בראיון הודה roller מינית העניין, גברים ונשים כאחד, אבל אתה יודע איך אומרים את הולכת: "עכשיו Bi, הומו מאוחר יותר" (אחרי האמריקאית למכירת-הכותרת: "קנה עכשיו, מאוחר יותר להרוויח"). היה לי פעם אחת אמר לו כי הוא יפה, ג 'נטלמן ... אבל זה לא אומר שאני בא להציק לו! כנראה שהוא חשב כך, וכל סטה מעט מזכיר את מה שהוא היה dreaded נפגש עם סוג של תגובה יש לי. אני מוקדש כדי למנוע מגע היד שלו בעתיד. למרבה המזל, הוא חשף את עצמו במהירות להיות בוגד ממזר הוא גזעני, אז לא היה צריך.

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Translation of Hebrew texts will NOT work properly when the direction has been reversed.
Reverse translation with the same or different software will not reproduce the original text.

4:34pm: The Obama Deception preview online: Fascism needs a black facelift







The Obama Deception preview now available via Google Video:

http://video.google.com/videoplay?docid=7886780711843120756&ei=OIi5Sb7NHKe4qAPNoIm-AQ&q=obama+deception&hl=en&dur=3

Please watch this documentary before Google takes it down!
Also get it if you can!

FF to 32 minutes to hear Prof Griff,
founding member of Public Enemy,
say it like it is:



Imperialism and Fascism need a facelift.

And that facelift is going to have to be black.


In Jochen Roller's Janclod, the riotous teenage immigrants (Muslim Southerners of course) who - instead of dancing the jig like white father-figure Maldoom taught them to - first start fighting one another, then harass the female audience members and are then on the verge of breaking down the White Festspielhaus, are eventually pacified by the dancing barechested blackman. A barechested blackman jumps up onstage, begins to dance, the immigrant teenagers join him, and are thus pacified. By means of the bare-chested blackman the sanctity of the White Festspielhaus is restored.

A BARECHESTED BLACKMAN TO PACIFY THE RIOTOUS TEENAGERS?

MAYBE IT'S THIS BLACKMAN:



In Janclod, Jochen Roller rapes a watermelon just as he is relaying this story.

AND JOCHEN ROLLER STILL DENIES THAT HIS BLACKFACE REVIVAL WAS REFERENCING THE OBAMA PRECIDENCY REVIVING THE STEREOTYPE OF THE WATERMELON NEGRO?! Jochen performed the above rape-scene mere weeks before Obama visited Berlin for that speech over which the Controled Media openly declared Obama "The President of the World" (Greek were already using the term Planitarchis as a swearword for Bill Clinton).

In his Blackface Revival, Jochen Roller is performing the NWO Elite fucking over the poor people at the same time as the NWO elites pacify the riotous by giving them a barechested blackman, their dancing monkey-puppet, the black facelift that fascism now needs. Jochen Roller performs this because he fully identifies himself with the Power Elites. Jochen Roller does not condemn the NWO elites, or the Obama deception. Roller praises their actions. He agrees with what the Elites are doing.


This is classical fascism
They rape us
They consolidate us
They put us into work-brigades
They make us slaves
And they say: "It's a people's paradise!"
And then they transfer all the wealth of the nation offshore.
The globalists are outside all the nations.
That gives them safety, and they play countries off against each other.
They are hardcore vicious and they must be resisted.


After all, like the NWO elites Jochen Roller too is a white thug, a miniature CIA, who only gets away with his behaviour because his judge-mother is able to "call a friend" on the inside and have her spoilt global middleclass brat of a son bailed out every time he commits a crime(white power = white laws). Thanks to his judge-mother, Jochen Roller is above the law. Tell me that's not white corruption at work. This is exactly the description that Jeremy Seabrook gave of the global middle-class Children of the Black Economy: these gilded children never get caught for their crimes against the poor because they are above the law.

Jochen Roller even got a subsidy raise after staging an all-out racist performance like the Blackface Revival in Janclod. That's the German government openly THANKING Jochen Roller for getting the Power Elite agenda across. With his Blackface Revival, Roller is doing in miniature symbolic form what the Power Elites are now doing on a global scale with their black facelift Obama.

Please watch the Obama Deception preview:

http://video.google.com/videoplay?docid=7886780711843120756&ei=OIi5Sb7NHKe4qAPNoIm-AQ&q=obama+deception&hl=en&dur=3

Tex.